Folk-Tale Wisdom

I think one of my favorite lines for myself is from the Russian Cinderella story.

This version has the orphaned daughter (Vasalisa) being helped by a little doll her mother gave her. Every time the evil steps give her some impossible task, Vasalisa pours out her heart to the doll who tells her to rest.

“Morning is Wiser than the evening,” the doll always says.

And, of course, by morning the doll has worked some magic or called some creatures to her girl’s aid, reducing the problem to almost nothing.

So often I find that if I will just give over dwelling on my problem(s) and actually rest, I find the morning really is wiser than the evening– and that is even without magical assistance.

Though, probably not without divine assistance.

Tam Lin– a Tuesday Tale

(While I know this will be very familiar in some circles, it is clearly not known to the population at large. It ought to be. Naturally this is just one version out of many.)

A handsome young man was being held captive by the fairy folk. Tam Lin had been a favorite of the Queen’s for some time but she had finally found a new toy, and Tam Lin was to be the fairies’ next human sacrifice.

He met in secret with his lady, Byrd Janet, and told her what would happen, begging her to be brave enough to rescue him from his fate. Giving her detailed instructions about how to identify him among the crowd, he explained what would happen.

On All Hallows Eve Byrd Janet was to make a circle of holy water to stand in for protection, then watch the procession of the fairy folk. She must let the riders of the black horse and the brown horse pass by. Tam Lin would be riding the third– a white horse. Janet was to run to him, pull him down from the horse, and hold him; no matter what might happen.

He warned her the fairies would change his shape in her arms, but she must never let go, until she could render him human again.

It all happened as he had described.

When Byrd Janet pulled Tan Lin from his horse the entire procession halted. The folk gathered all about, trying their magic on Tam Lin. They turned him into freezing ice, a poisonous serpent, and a struggling dove who almost escaped.

Tam Lin was brought through a surging struggle of transformations until the fairies turned him into a piece of red-hot iron.

With this in her arms, Byrd Janet rushed to a nearby well and cast it in, revealing her beloved, naked, in his true form. She threw her green mantle around him, covering his nakedness and claiming him.

At this there was a great grief and wailing among the fairy folk, and their Queen declaimed in verse that she would have blinded Tam Lin, or exchanged his heart of flesh for a heart of stone, rather than lose so fair a knight to a mortal girl.

Movie Weaknesses

In my 100-Things post I almost didn’t include movies #9 and #10, because I don’t believe they are for general consumption. But I did enjoy them.

I am blessed (yes, I do count it a blessing) to have a husband who enjoys “snuggly movies” (romantic comedies) with me, even though I won’t watch certain things with him (He loved the Matrix and Crouching Tiger, Hidden Dragon. I don’t watch R-rated movies). I’m glad he doesn’t keep score.

Anyway, we’ve had a string of -13s we’ve watched where we enjoyed the story, but each had a distinct drawback that keeps it from being fully recommendable:

  • Hitch (#9)– great angle about being detailed and conscientious in relationships. Ruined by gratuitous course language. Not something we are willing to own.
  • Bewitched (#10)– Sweet story about being genuine; and as most of the magic is “fairytale” stuff (as opposed to darkly empowered), we chose to buy that one. But I don’t like the “hex” scene, with the dancing around a cauldron (and a few lines of dialogue the hex inspired). I choose to skip those.
  • Mr. & Mrs. Smith was a Jay choice– I was pleased to finally have something of his to agree to– and the story itself was fascinating, but the spouse-to-spouse pummeling was just too much for me.
  • Music and Lyrics was what we saw yesterday. Jay and I had the same sort of reaction: That was so. fun. but

The largest drawback here was the overt sexuality of the young female singer, who was shown several times dancing around in next-to-nothing.

I told Jay we ought to buy it anyway and he could just use his media program to edit those scenes out. Especially since there’s stuff in it we really liked.

He’s still thinking about it.

Finding Motivation in a Movie

What Jay and I loved in the movie Music and Lyrics was the nuts and bolts of the musical elements.

If you don’t know already, the movie centers around an 80s has-been singer’s need to write a song in x-days for a currently popular singer, in order to revitalize his career. Add a female lyricist and you’ve got your forced interaction for your RomCom.

What none of the trailers (or even the set-up in the movie itself) prepared us for was the creating of the “demo” song.

That might have been the 2nd or 3rd greatest part in the whole movie (and there were some good lines).

You get to watch the guy playing each of the instruments, one after the other, and building the accompaniment track that the pair than sings their demo duet over.

Watching that, Jay was re-inspired to get back to playing piano. And wanting me to do more regular work on guitar.

Continue reading »

Half a Blanket– a Tuesday Tale

A young man and his old father worked their farm together with no ill-feeling or complaint.

When the young man took it into his head to marry, life only improved (there finally being a proper cook about the place).

It wasn’t until a full year after the marriage, at the birth of a little baby boy, that the young man began to show a change in character; for now he, full and sudden, felt the heaviness of fatherhood fall on him.

That weight of responsibility caused him to become more and more critical of his own father, who was only growing less strong and able to help with necessary work.

Finally, the young man ordered his sweet wife to fetch a blanket and send it with the old man to the poorhouse.

In those days, blankets were often woven double long, in order that they might be doubled on the bed for extra warmth.

When the young man saw the good work that his wife had made, it went to his heart to send the whole thing off with a worthless old man, and he ordered her to cut it in half.

“Half a blanket will be enough for him.”

Young Mary, who disapproved of the whole event began to argue,

When up from the cradle by the fire piped the voice of the tiny infant.

“Mother,” he chirruped, “You do as Father says. And lay that other half safely by, so I know where it is when the time comes to pack my father off to the poorhouse.”

You can imagine that changed the young father’s outlook pretty quickly, and he realized the old man still had at least one job left to his old age.

He would help his grandson learn to care for his elders.

~ ~ ~

One other submission today:

A tale from Hindu mythology called The Wasted Sermon

Duke Roland’s Quest– a Tuesday Tale

From Barbara Leonie Picard’s The Faun and the Woodcutter’s Daughter.

Duke Roland was a coward. He and everyone else knew it. Afraid to ride fast, learn to swim, participate in tournaments, or even climb his own high towers to look out over his own lands, Roland was quietly ashamed but never did anything about it.

Until (cue the rising music) a beautiful young woman came to his castle.

Her eyes were blue and her hair was golden, her voice was music and her smile was the smile of one who has never glanced on pain or sorrow or cared for their existence. She lived only for the joyous things in life.

When good Duke Roland attempted to gain her favor, she only laughed at him.

“Have you never heard that only the brave deserve the fair?”

She then threw her bracelet into the fire and bid him pull it out in proof of his courage. He could not.

And so Roland went to a wise old man to inquire where to find courage. Under the old man’s direction he looked in a chest at the top of a high tower, in a casket under deep water, in the locket of a mysterious knight (whom Roland must fight to obtain the locket), and in the flickering blue flame that races through a dark wood, as fast as a horse may gallop.

Having faced his fears, and discovered his courage in doing so, Duke Roland returned to his lady fair. Again the Lady Alison mocked him and his efforts, tossing her bracelet into the fire. Seeing her with new eyes, Roland realized that he was greatly changed, but she was not.

He stooped and picked the bracelet out of the fire and dropped it at her feet.

“Your bracelet,” he said. “Good night, cousin,” and he turned from her and left the hall.

And for the first time in her life, the Lady Alison’s blue eyes filled with tears, for she knew that she had lost him.

The Value of Illustrations

I am always a little sad when I hear someone being steered away from a classic that has been illustrated for children.

The reasoning behind this seems to be in seeking to develop the inner eye (imagination), and appreciation for the language itself apart from the distraction of images.

On the very small chance that anyone reading this post holds that view, here is an analogy: Illustrations (when they are something the child is actually interested in, mind you) are very like bath toys.

There is an age when the water itself ceases to be infinitely entertaining and tub toys become a very motivating factor in continuing baths.

Pictures can serve the same purpose, holding the child’s attention long enough for us to pour the words over them and whet their minds with new phrases and ideas.

A Storytelling Carnival: Tuesday Tales

I’m working at starting a weekly storytelling carnival, Tuesday Tales: Beyond Cinderella and Rumpelstiltskin.

The purpose is to summarize a lesser-known story to the length of a blog post, in order to introduce others to stories that we love, and train ourselves to maximize the efficiency of our language.

Literary tales (Anderson, Picard) are fine, as long as they’re fully attributed. These are only summaries, remember, not full-text copies, so we’re not going to violate copyright or anything; It’ll be more like a review.

~~~

I’ve begun what I hope to be a regular Tuesday Tales series (there’s one up already for this week, which is what gave me the idea).

To be included in my next edition, email me a link to your story at the address on my contact page by Monday evening.

I’m excited at the chance to meet new stories and tellers. Anyone else game?

Raven and the Whale’s Burning Heart

Raven was drowning in the open ocean and a whale took him in.

Once inside, Raven saw a young woman by the light of a seal oil lamp. The girl bid him welcome, but warned him not to touch the burning lamp. She came and went frequently from the place, and Raven, feeling curious, disregarded her warning.

He bumped the lamp in his clumsiness, causing it to go out. The young woman, just returning, fell in a dead faint as the inside of the whale went black, and bloody.

The lamp had been the whale’s heart, and the girl its soul, going out and returning with the great creature’s every breath.

When Raven finally managed to escape from the huge animal’s carcass, he transformed himself into a man and told the approaching people he was a great hunter.

“I killed the whale, I killed the whale!” he crowed, rather than saying,

“I meddled with something too great and precious for me to understand and destroyed it.”

“Trickster” Tales

I have never liked the trickster genre of folktales. Stories that center around characters like Yogbo the Glutton, Coyote, Raven, Brer Rabbit and the like (they exist in every culture).

They are, in general, shallow, Machiavellian, and utterly self-centered individuals.

They serve an important cultural role, especially among oppressed peoples, as they show the “little guy” triumphing over the abusing powers. But they also show a self-serving disregard for authority as an end in itself, as a form of entertainment.

Their attitude is that being oppressed automatically gives one the license to behave as s/he wishes, no matter who that may hurt. None of this “rising above” stuff.

One’s desire for pleasure or amusement is reason enough for any choices made.

This is on my mind just now because I just finished watching Pirates of the Caribbean: Dead Man’s Chest. Jack is your classic trickster character: the good he does is calculated to be in his favor, and good or bad he plays everything off as charming.

Does it well, too. Makes me very uncomfortable to watch.

A traditional tale about Raven summarizes the essence of tricksters for me, and the heart of my dislike for them.