I culled the less-applicable stuff. Here’s the original test site.
A few questions and answers for anybody who wants to know more about my novel.
- Does nothing happen in the first fifty pages?
- Is your main character a young farmhand with mysterious parentage?
- Is your main character the heir to the throne but doesn’t know it?
- Is your story about a young character who comes of age, gains great power, and defeats the supreme badguy?
- Is your story about a quest for a magical artifact that will save the world?
- How about one that will destroy it?
- Does your story revolve around an ancient prophecy about “The One” who will save the world and everybody and all the forces of good?
- Does your novel contain a character whose sole purpose is to show up at random plot points and dispense information?
- Does your novel contain a character that is really a god in disguise?
- Is the evil supreme badguy secretly the father of your main character?
- Is the king of your world a kindly king duped by an evil magician?
- Does “a forgetful wizard” describe any of the characters in your novel?
- How about “a wise, mystical sage who refuses to give away plot details for his own personal, mysterious reasons”?
- Do the female characters in your novel spend a lot of time worrying about how they look, especially when the male main character is around?
- Do any of your female characters exist solely to be captured and rescued?
- Do any of your female characters exist solely to embody feminist ideals?
- Would “a clumsy cooking wench more comfortable with a frying pan than a sword” aptly describe any of your female characters?
- Would “a fearless warrioress more comfortable with a sword than a frying pan” aptly describe any of your female characters?
- Is any character in your novel best described as “a dour dwarf”?
- How about “a half-elf torn between his human and elven heritage”?
- Does everybody under four feet tall exist solely for comic relief?
- Do you think that the only two uses for ships are fishing and piracy?
- Did you draw a map for your novel which includes places named things like “The Blasted Lands” or “The Forest of Fear” or “The Desert of Desolation” or absolutely anything “of Doom”?
- Does your novel contain a prologue that is impossible to understand until you’ve read the entire book, if even then?
- Is this the first book in a planned trilogy?
- How about a quintet or a decalogue?
- Is your novel thicker than a New York City phone book?
- Does your novel contain characters transported from the real world to a fantasy realm?
- Do any of your main characters have apostrophes or dashes in their names?
- Do any of your main characters have names longer than three syllables?
- Does your novel contain orcs, elves, dwarves, or halflings?
- How about “orken” or “dwerrows”?
- Do you have a race prefixed by “half-“?
- At any point in your novel, do the main characters take a shortcut through ancient dwarven mines?
- Do you write your battle scenes by playing them out in your favorite RPG?
- Do inns in your book exist solely so your main characters can have brawls?
- Do your characters spend an inordinate amount of time journeying from place to place?
- Could one of your main characters tell the other characters something that would really help them in their quest but refuses to do so just so it won’t break the plot?
- Do any of the magic users in your novel cast spells easily identifiable as “fireball” or “lightning bolt”?
- Does anybody in your novel ever stab anybody with a scimitar?
- Does anybody in your novel stab anybody straight through plate armor?
- Does your hero fall in love with an unattainable woman, whom he later attains?
- Does a large portion of the humor in your novel consist of puns?
- Is your hero able to withstand multiple blows from the fantasy equivalent of a ten pound sledge but is still threatened by a small woman with a dagger?
- Do you really think it frequently takes more than one arrow in the chest to kill a man?
- Do you not realize it takes hours to make a good stew, making it a poor choice for an “on the road” meal?
- Does your main villain punish insignificant mistakes with death?
- Is your book basically a rip-off of The Lord of the Rings?
- Read that question again and answer truthfully.
No. Action starts page one.
No, but she has to defeat the supreme bad guy; that’s sort of the point of fantasy: full closure.
Nope. This story is based on what might technically be called a female-centered folktale. That means that the emphasis is more on the progression of action and relationships rather than attaining a specific goal (e.g., the gold the girl or the glory).
No. I’m still looking for a modern fantasy whose inclusion of allegory or messianic elements isn’t cheesy.
I think the difficulty in finding that has to do with the original story being both so powerful and (face it) absurd, that any attempt to retell it really shows the outrageousness of God’s amazing plan.
No, but I’m mentally preparing a post I want to write someday about “useful” characters, and the know-it-all (think Hermione from Harry Potter) makes the list.
Does a demi-god not-in-disguise count?
Not secretly. And not the main character.
I despise dupes. My characters make their own stupid decisions. (ETA: oops. I think I do have one dupe. But he’s not a king.)
Nope. Actually, I don’t think anyone is forgetful. Might need to work on that– could be residue from the version where everyone was perfectly rational (Hey! Let me have at least one draft for my own fantasy!)
That is a total cop-out based on a throwback to an earlier draft when even the author didn’t know what was going on yet. Get to the story or get out of the way! ROAR!
Um, I guess that could be reading into things a bit, huh?
No. Anyone consumed by appearances is an equal-opportunity worrier: it’s part of who they are, not where they are.
Only one. ;) And she gets to do some capturing and rescuing of her own before the end.
I hope not.
Hmm, I might imagine this applying to the Queen, a few decades back, but for this story, no.
No dwarfs, sorry.
No elves. Sorryer.
Um, did anybody find the toddlers funny? They’re my only characters under four feet tall.
No boats. Cut that part of the story. We’re all grateful. Trust me, you are.
I have been holding my breath, hoping I’m never required to produce a concrete map.
Nope. Though I have two very different and equally intriguing prologues, they would set up stories different than I wrote; both in scope, theme, and choice of main character(s).
Fascinating to think about, though, considering it’s the same action.
No NO NO! I’m fine. Thanks for asking.
I’ll pretend you didn’t ask that.
Never seen one. But I might make Twilight. (Amazon lists its word count at +/-115,000. I’m not there yet, but I did break 110,000)
My folks are all in their own world. I’ve always felt sorry for the other kind.
Only if they come from an Arabian-Nightsesque source.
(ETA: I got called on this one. Cecillia is a major character with four syllables.)
Nothing invented. Everything established. Have I said I’ve been feeling very uncreative lately? That everything I “invent” seems merely like a recombination? Yeah.
Good thing there’s already some pretty fascinating stuff out there.
(Yes, I was one of those kids that read the encyclopedia. And, yes, I have authoritative fantasy encyclopedias now that tell me exactly what powers to expect a half-djinn to have).
No, that would be perpetuating in my fantasy an emphasis I both dislike and see as unnecessary in my own world.
Actually, I do have half-djinn, but I try not to make the half-ness an us-versus-them thing. The reason I think I didn’t go the prophesy route, is the same reason I don’t like parentage-pulling-at-me message. We are shaped by our biology and environment, but also from within.
And in a story I think the emphasis is supposed to be particularly on the within.
I hate maps too much to have epic travels in my stories.
No, but I think I should watch more action movies.
No, they exist for warm places to talk. That they are also warm enough to take one’s gloves off, well…
I told you, I don’t like maps. Distances are determined by how soon I need the next plot point to arrive. And even that’s flexible with certain characters (Hurrah for super-speed!).
I think I got rid of all of these.
My magic-users are more about manipulating matter than shooting or pulling power out of the air. I think that’s how I’ve made myself comfortable with magic in an almost “our” world.
Trying to think if anyone armored gets stabbed anywhere. I cut the battle scenes (despite setting up some awesome-yet-unresearchable armor), because the story without them was long enough.
That would prove the initial definition inaccurate, negating this question. But, no. One of my favorite things about this novel is skipping that whole illusion and wasted energy and moving on with the story. They get married. Way before the end.
Sorry, should have said [SPOILER!] I just assumed anyone reading here would have guessed that already from the story blurb.
I’m supposed to have humor in my novel? Krapp.
Then it’s because she’s a woman and not the dagger that he finds threatening.
Do you realize that a bullet (or arrow) wound often doesn’t often mean instant death?
Yet another reason to stay home: I’m a notoriously poor meal planner.
No. Most of his lackeys are pseudo-immortal.
There are thousands of mythologies to delve and combine that go much farther back than LOTR. Lindorm is one of those.