I was playing with the idea before I knew it was real, then Google informed me it wasn’t all in my head.
I’ve switched noveling focus, from Lindorm to Shadow Swan (I imagine I’ll get a page up for it, next), while I wait for more of the complex issues of the first novel to settle.
That’s one cool thing about noveling around a busy life: confusing stuff often works itself out with time, so I re-engage with as much a sense of relief (at new discovery) as of guilt (at my neglect).
Shadow Swan is based on the Russian epic poem Tsar Saltan by Alexander Pushkin.
Here we have another multi-part story with loads of traditional folktale elements (the three siblings, with the youngest “winning”; transformations; talking animals; magical gifts; epic “misunderstandings”) and especially the great images. The best stories beg to be illustrated, and make me wish I were a visual artist.
I first played with this story (eventually working up to about 14,000 words) in the summer of ’05. I thought that number fairly impressive (though I stopped working on it) until my first NaNoWriMo in November of ’06, when I galloped past that mark on day 8 or 9.
It really helped my perspective. Until you’ve done more and bigger, there’s no reason for 14,000 to seem small. But now that I’ve cut *thousands* of words from my (still) 100,000-word novel, I have a very different perspective on word-count:
14,000 is worth celebrating, but it’s not enough to tell this story, so it’s not a stopping point.
Anyway, I’d been reading about industry trends in the year before I tried NaNo again, and while fantasy (roughly defined as stories with magical elements) is still very popular (i.e., selling), in the YA market these tend to be stories happening in our world.
That is, “ordinary,” modern children/teens from Earth contend with or participate in magically-influenced adventures (think Harry Potter) more than adventurers or “ordinary folk” take on danger in other worlds and times (think Eragon or Lord of the Rings).
These latter are two very popular examples, and show there are clearly readers out there, but the article I’m referencing was discussing ‘trends.’
Well, I had already written one from the latter category (Lindorm), so I was interested in trying out the other kind.
Now, as a fairly literal Bible-reader (by this I do mean both that I am fairly literal, and that I accept the Bible pretty much as-written) and Christian, I am stuck with that (uniquely?) Christian challenge of writing a story containing magic, when the Bible prohibits sorcery.
One writing/Christian friend of mine says this made her consciously choose Science Fiction as her genre: iNtuitive types like us prefer speculative fiction; she’s not into horror, and didn’t want to deal with the theological questions of magic, so that left SciFi.
The short version is that I (like Lewis in his Narnia stories) mostly confine magic to a non-Earth realm, and while it might stretch a little, magic used in unsafe ways is always by negitive (bad guy) characters.
It becomes a metaphor for power in general, and thereby shows my feelings about power more clearly than my feelings about magic: namely that it isn’t something that healthy, humble people take on themselves, collect for themselves, or use just because they can. And it has the tendency (no matter its origin) to corrupt.
Shadow Swan is about a princess, rescued from another world and brought to our Earth, only to find that rescuing is not the same as restoring, and that danger has followed her.